世界经典电影前十名

视频简介

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。吉米（布鲁斯·威利斯饰）和保罗（崔西·摩根饰）是纽约警局的老搭档了。不过，他们并不是重案组的工作人员，日常的工作只是做一点简单的盗窃案件的侦破而已。　　有一天，他们俩接到上级派下来的任务，说是有一张1952年的珍贵的棒球卡被盗了。这一黑一白两个侦探就立即开始着手调查。可是他们越调查越发现，这似乎不仅仅是一起盗窃案，背后还有一个庞大的黑社会在暗中交易。渐渐地，他们陷入了黑社会的毒品交易、洗钱内幕和一宗绑架案中。与此同时吉米和保罗的家庭也出现了问题，先是吉米把女儿办婚礼的钱弄丢了，然后又是保罗的婚姻出了状况，他的妻子总是在怀疑他，具体怀疑什么他的妻子也说不上来，但是她就是很有疑心。　　这样两个麻烦不断，状况百出的家伙，接手了这么一个惊天大案，他们该如何应付呢？他们能全身而退么？。